Openings Connecting: March 2011

Saturday, March 12, 2011

RETURN gallery, Taos, the light of the pyramid

SINCE YOU ASKED, THE LAST POST'S PHOTO WAS TAKEN ABOUT

25 YEARS AGO IN TAOS. THIS IS THE TOP OF THE ROOF ON RETURN GALLERY.

MY FRIEND DAVID'S GALLERY. HE DESIGNED AND BUILT MOST OF IT.

WHEN I ARRIVED FOR MY SUMMER VISIT, I CRAWLED ONTO THE ROOF WITH MY

35MM CAMERA AND LAY ON MY STOMACH TO SHOOT THE SUNSET.

THE GLASS PYRAMID IS AT THE PEAK, WITH COPPER COVERING BELOW.

THIS IS TAKEN FROM THE INTERIOR, LOOKING UP, WITH THE VENTS OPEN.

A QUIET INTERIOR CORNER...with "chaco canyon" type rock work framing the window.

Wednesday, March 9, 2011

ADD LIGHT

   OUT OF THE DARKROOM,
   INTO THE LIGHT.

   REFLECTING

   ON REFLECTIONS,

   in
   and
   out

FOUR DIRECTIONS/FOUR VISIONS: Two Graces: First showing for me, JUNE 3, 2011

With no directions home, I found Taos in the late 60s. It felt like home immediately. It still does. I know this sentiment is familiar to countless others.

The mountain stopped me in my tracks, and I stayed for several years. Since that time, I circle back annually.

To me, that circle is symbolic of this body of work at Two Graces. This is a time in my life when I've been fortunate enough to experiment with art making. Not surprisingly, I found myself drawn back to the images in the Ektachrome slides that I'd taken in the early 80s of Chaco Canyon, the San Francisco de Asis Church, dusty roads, and the ever changing skies of Northern New Mexico. The spirit of this adobed land lingers in my core and manifests itself within these works.

This past Michigan winter was spent creating enlarged negatives from my thirty year old slides, pulling part of my past into the present via today's tools of scanner and computer. Using traditional silver-gelatin darkroom processes, these resurrected and modified negatives acquired a new life. The majority of these prints are the result of this mediated reincarnation.

The smaller images took me into photographic processes from the mid-1800s. These handmade platinum/palladium prints are created coating vellum, for translucency, with these metal salts and exposing them to ultraviolet light. They are then bathed in the alchemy of the darkroom. The tonal qualities are unique in each print. Finally, 24k gold is layered to the backs of the prints, emanating the warmth, glow, and depth of these beloved places.