Openings Connecting: today's warm walk

Monday, October 19, 2009

today's warm walk

tranformations
seen in the smallest details.
walk slowly, hold a hand.

5 comments:

Blue Sky DreamingOctober 19, 2009 at 5:29 PM
I'm looking at magical images...thanks for the beautiful photos.
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ELKOctober 19, 2009 at 7:30 PM
blue in the berries and sky really work beautifully together!
I sent an email to you friend!
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Caterina GiglioOctober 20, 2009 at 5:42 AM
yes! the harvest! so gorgeous, and a full bunch too! thank you for sharing your walk with me I only missed the fine conversation with you and the coffee and apple pie!!!! xoxox
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Renee HowellOctober 20, 2009 at 7:15 AM
Love the pink and blue black of the berries! And of course, the milkweed next door. HI my lovely!
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ooglebloopsOctober 31, 2009 at 5:34 PM
Great photos!! I have taken so many of the milkweed, and pokeberries also. Now, just have to get around to posting them!!!
Love your art on Halloween post- beautiful in its simplicity...........
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FOUR DIRECTIONS/FOUR VISIONS: Two Graces: First showing for me, JUNE 3, 2011

With no directions home, I found Taos in the late 60s. It felt like home immediately. It still does. I know this sentiment is familiar to countless others.

The mountain stopped me in my tracks, and I stayed for several years. Since that time, I circle back annually.

To me, that circle is symbolic of this body of work at Two Graces. This is a time in my life when I've been fortunate enough to experiment with art making. Not surprisingly, I found myself drawn back to the images in the Ektachrome slides that I'd taken in the early 80s of Chaco Canyon, the San Francisco de Asis Church, dusty roads, and the ever changing skies of Northern New Mexico. The spirit of this adobed land lingers in my core and manifests itself within these works.

This past Michigan winter was spent creating enlarged negatives from my thirty year old slides, pulling part of my past into the present via today's tools of scanner and computer. Using traditional silver-gelatin darkroom processes, these resurrected and modified negatives acquired a new life. The majority of these prints are the result of this mediated reincarnation.

The smaller images took me into photographic processes from the mid-1800s. These handmade platinum/palladium prints are created coating vellum, for translucency, with these metal salts and exposing them to ultraviolet light. They are then bathed in the alchemy of the darkroom. The tonal qualities are unique in each print. Finally, 24k gold is layered to the backs of the prints, emanating the warmth, glow, and depth of these beloved places.