Openings Connecting: 2 Months, 5 Days of Lovely Preoccupation with "Disintegration"

Friday, May 1, 2009

2 Months, 5 Days of Lovely Preoccupation with "Disintegration"

3 comments:

Bleubeard and ElizabethMay 2, 2009 at 8:42 AM
Thanks for visiting my blog, Nancy. I have never been to your until now. Aren't blog challenges wonderful. They open up a whole new world of friendships and art.

I really like that you dated your project. Never thought to do that, other than documenting it on my blog. That's another thing I'll add next time.

I love the rock marks. What a marvelous bundle you created and hung on your tree.
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studioJudithMay 2, 2009 at 9:10 AM
Love your TreeHugginBundle .. . it will be such fun to see what we all do with our treasures!

Judith
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nancy neva gaglianoMay 2, 2009 at 9:34 AM
love our MUTUAL LOVING in the spirit of all this!! and..like mindedness adds to our energy and our process. thanks to both of you!

i'll be watching what happens with your pieces, too.
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FOUR DIRECTIONS/FOUR VISIONS: Two Graces: First showing for me, JUNE 3, 2011

With no directions home, I found Taos in the late 60s. It felt like home immediately. It still does. I know this sentiment is familiar to countless others.

The mountain stopped me in my tracks, and I stayed for several years. Since that time, I circle back annually.

To me, that circle is symbolic of this body of work at Two Graces. This is a time in my life when I've been fortunate enough to experiment with art making. Not surprisingly, I found myself drawn back to the images in the Ektachrome slides that I'd taken in the early 80s of Chaco Canyon, the San Francisco de Asis Church, dusty roads, and the ever changing skies of Northern New Mexico. The spirit of this adobed land lingers in my core and manifests itself within these works.

This past Michigan winter was spent creating enlarged negatives from my thirty year old slides, pulling part of my past into the present via today's tools of scanner and computer. Using traditional silver-gelatin darkroom processes, these resurrected and modified negatives acquired a new life. The majority of these prints are the result of this mediated reincarnation.

The smaller images took me into photographic processes from the mid-1800s. These handmade platinum/palladium prints are created coating vellum, for translucency, with these metal salts and exposing them to ultraviolet light. They are then bathed in the alchemy of the darkroom. The tonal qualities are unique in each print. Finally, 24k gold is layered to the backs of the prints, emanating the warmth, glow, and depth of these beloved places.