Openings Connecting: Solstice Greetings

Saturday, June 20, 2009

Solstice Greetings

The ARCH and I
made it through
a long, cold, snowy
winter

and revel now
in the lightness
bursting all
around

4 comments:

rivergardenstudioJune 21, 2009 at 5:25 PM
Wow, what a difference, and both so beautiful... Roxanne
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Caterina GiglioJune 23, 2009 at 6:30 PM
I just LOVE YOUR ARCH! leaving for Taos tomorrow! hope you get by to see the nichos up close! I will email you when I return! ciao bella!
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Blue Sky DreamingJune 24, 2009 at 2:47 PM
One time so lush and another barren...both beautiful!
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SethJune 25, 2009 at 9:06 PM
This has become THE arch. And it is perfect in both seasons!
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FOUR DIRECTIONS/FOUR VISIONS: Two Graces: First showing for me, JUNE 3, 2011

With no directions home, I found Taos in the late 60s. It felt like home immediately. It still does. I know this sentiment is familiar to countless others.

The mountain stopped me in my tracks, and I stayed for several years. Since that time, I circle back annually.

To me, that circle is symbolic of this body of work at Two Graces. This is a time in my life when I've been fortunate enough to experiment with art making. Not surprisingly, I found myself drawn back to the images in the Ektachrome slides that I'd taken in the early 80s of Chaco Canyon, the San Francisco de Asis Church, dusty roads, and the ever changing skies of Northern New Mexico. The spirit of this adobed land lingers in my core and manifests itself within these works.

This past Michigan winter was spent creating enlarged negatives from my thirty year old slides, pulling part of my past into the present via today's tools of scanner and computer. Using traditional silver-gelatin darkroom processes, these resurrected and modified negatives acquired a new life. The majority of these prints are the result of this mediated reincarnation.

The smaller images took me into photographic processes from the mid-1800s. These handmade platinum/palladium prints are created coating vellum, for translucency, with these metal salts and exposing them to ultraviolet light. They are then bathed in the alchemy of the darkroom. The tonal qualities are unique in each print. Finally, 24k gold is layered to the backs of the prints, emanating the warmth, glow, and depth of these beloved places.