Openings Connecting: TAOS: 40th anniversary of the SUMMER OF LOVE? in KALAMAZOO?

Monday, June 22, 2009

TAOS: 40th anniversary of the SUMMER OF LOVE? in KALAMAZOO?

GREETED BY MY FORMER SECOND GRADERS, Pablo and Jacob. . .celebrating their last day of middle school. . .by "dressing up". I guess the Taos Summer of Luv Retro thing has spread, even to kalamazoo. We're at the 6th grade graduation of their sisters, and others that i've taught, at our old elementary school.

My how times change, or do they?

Just look at this and then the album cover from 1969 posted on MAY 10TH!!

2 comments:

Caterina GiglioJune 14, 2009 at 1:54 PM
what a great pix! how fun and wonderful to be such a great influence in the lives of so many young people! You rock!
As for the clothing, well, we would have never "dressed up" would we? we were far to serious for that I think! ciao!
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Renee HowellJune 16, 2009 at 8:09 PM
Love how each generation pushes an envelope. Sometimes with different generations pushing the same envelope (shhh - the younger generation doesn't know this).

Hoping my creativity zone returns soon....
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FOUR DIRECTIONS/FOUR VISIONS: Two Graces: First showing for me, JUNE 3, 2011

With no directions home, I found Taos in the late 60s. It felt like home immediately. It still does. I know this sentiment is familiar to countless others.

The mountain stopped me in my tracks, and I stayed for several years. Since that time, I circle back annually.

To me, that circle is symbolic of this body of work at Two Graces. This is a time in my life when I've been fortunate enough to experiment with art making. Not surprisingly, I found myself drawn back to the images in the Ektachrome slides that I'd taken in the early 80s of Chaco Canyon, the San Francisco de Asis Church, dusty roads, and the ever changing skies of Northern New Mexico. The spirit of this adobed land lingers in my core and manifests itself within these works.

This past Michigan winter was spent creating enlarged negatives from my thirty year old slides, pulling part of my past into the present via today's tools of scanner and computer. Using traditional silver-gelatin darkroom processes, these resurrected and modified negatives acquired a new life. The majority of these prints are the result of this mediated reincarnation.

The smaller images took me into photographic processes from the mid-1800s. These handmade platinum/palladium prints are created coating vellum, for translucency, with these metal salts and exposing them to ultraviolet light. They are then bathed in the alchemy of the darkroom. The tonal qualities are unique in each print. Finally, 24k gold is layered to the backs of the prints, emanating the warmth, glow, and depth of these beloved places.